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“When I moved down from New York City to D.C. in 2002, Richard and I got together and started writing,” recalls Mould, who still performs as a soloist; he and Morel had first met at a record release party for Morel’s album Queen of the Highway. “One day there was a box in the corner, and I asked him what’s in the box and he said, ‘It’s a DJ rig. Some guys I work with gave it to me, but I hate DJs and deejaying.’ So I said, ‘Why don’t we deejay and throw a party? Maybe it would be a good way for me to meet people.’ And it’s given me an outlet for the club side of me without pissing off the indie rock boys that don’t like the synthesizers or the beats. So I tour [my rock stuff], then I always have Blowoff to look forward to selfishly and personally—a great balance.” (more at timeoutny.com)