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Since its inception in 1969, the French progressive-rock ensemble Magma have made a curiously heavy music: a dark complex momentum in which the drums — played by leader-composer Christian Vander — are the forward instrument, often flanked by heavily fuzzed bass guitar and the hard watery ring of a Fender Rhodes piano, with an operatic chorale narrating, in a made-up language, extended fictions about the people and wars on the planet Kobaïa. Magma's rigorous, eccentric execution of Vander's continuing fantasia may be the least likely survivor of rock's Euro-prog peak in the early and late ‘70s. (
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